![]() That restraint may hinder it at the box office, but director Akil knows how to give his actors space and time to get a few things going on their own. She’s meant to blow everybody away in the finale, but here’s another thing about “Sparkle”: It actually holds back in terms of technique and dramatic build. She’s a tad bland, but so is the character as written. From an affluent Detroit area and daughter. ![]() Sparks, as Sparkle, has a warm and pleasing screen quality. Musical prodigy, Sparkle struggles to become a star while overcoming issues that are tearing her family apart. They smell a rat, but Epps knows just how to play him without tipping his hand too early or too often about the brutalities to come. There’s a well-written dinner-table scene wherein Sister (Carmen Ejogo) brings him home to meet her family. Her contributions are shrewd and cleverly considered, and the stuff that’s old is what people responded to back in ’76.ĭirector Akil allows even the heinous characters, such as Mike Epps’ self-hating comedian, a moment of insight or revelation. Most of the stuff that’s new in the new “Sparkle” comes from screenwriter Mara Brock Akil, who is married to the director. Whitney Houston's swan song Roger Ebert AugTweet Jordin Sparks and Whitney Houston in 'Sparkle.' Now streaming on: Powered by JustWatch 'Sparkle' is a full-bodied musical melodrama that acquires a melancholy undertone because it features the last performance by Whitney Houston. The director is Salim Akil, whose ensemble comedy “Jumping the Broom” likewise paced itself with ease and authority and showed similar wiles in the way of cliché refurbishment. Now comes the “Sparkle” remake, and you know what? It works. This was before the Broadway musical “Dreamgirls” pumped up similar material for its own purposes. She was one-third of a late ‘50s sister act led by McKee’s hard-living smolderer, who grappled with drug abuse, contended with an abusive boyfriend and battled relentless clichés in a heartbreak-and-triumph fairy tale whipped up by screenwriter Joel Schumacher. But theres a lot of good to be found in Sparkle, including the struggles of young women in 1960s Detroit and the fierce determination necessary to fulfill your. Warmly remembered corn, featuring some fantastic performers including Lonette McKee and Mary Alice, “Sparkle” (1976) starred Irene Cara as a mousy but learning to roar 15-year-old.
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